Moments in time by martin bennie

If i look back on my life with a camera, there are many years missing, from perhaps the late 1980’s up to about the 2003. Don’t get me wrong, i have photos of my kids and some odd shots from far of places, but the memories i have of these years is very vague. Now prior to this, when i used a pentax ME super up to the late 80’s, i have pretty good memories, perhaps because i can look at the photograph and dig out the memory from a far distant brain cell. But for some reason around about the early 90’s, i lost sight of my camera and photography habit. That was until maybe early 2003, when i started working in the shipyards of Singapore , which corresponded with my large pay rises. I remember that I’d decided one day, that the digital age was now time to get back into photography, and i headed to Sim Lim Square, which is the hub for all photographic things in Singapore and is four or five floors of camera shop after camera shop. For me, this was really the start of my photographic journey and i shot almost every day in and around the shipyards and streets of Singapore. The evidence of my skill is plain for all to see in my shots, and boring comes to mind in most of them. There was no feeling at this time in my photography and my passion had not really begun until a few years later, when i arrived in South Korea


Im not sure where the transition in my photography was, but with a new job in a new land, plenty of time to explore and not many western people on the island at that time, it was such a peaceful place, with a tranquility in the landscapes, as the real ship building boom had not begun yet. I was living there myself, i had every weekend off and i belonged to the famous Geoje-do hash house harriers, which started my love of walking in mountains. Fate had set me on a new path by bringing me to Korea and my life was just so wonderful and changed beyond comprehension. I photographed thousands of people on the hashes and i photographed every part of the island we walked on. I photographed every event the foreigners club held and i photographed all the kids at the expats school year after year. I took photographs of ships and large boys toys inside shipyards and i pushed and pushed my ability to take better and more interesting shots. My basic understand of the rules of photography started here and every day, even though i had no camera, i saw photographs in everything i looked at and my composition skills got better and better.


i was lucky to have seen geoje island, just before the western world and modernization moved in and all but destroyed a way of life for this nation. I traveled out into the country at every single opportunity and documented the farmers and their work on the lands. It was only about 4 years after this photo, that i spotted helicopters dusting the fields, while the farmers stood and watched. Perhaps we now move aside to let machines take over. I learnt many things about myself and my photography in these days and with my music playing in the car, i did hit and run photography, following the light and the clouds down roads I’d never been down before and after 5 years on the island, there was not a road or track that i hadn’t driven along to find new locations.


in 2012, my life changed beyond anything id ever imagined when i moved down to the very bottom of korea, where very few expats went and my photography exploded into what it is today. I had a stressful job on this two year project you see here in the oil rig on the right. At every chance i got, leaving work, going to work, at the weekends and during holidays i explored every single area of this part of korea and to combat my stress, i found a new way of seeing and feeling in my photography. I walked in the most serene places and remote villages and i even met people i remain friends with today on my journey. I saw places that made me cry they were just so peaceful and i stood in awe on the top of mountains and watched nature display to only me, the most fabulous light shows.


i walked through blizzards and baking heat and i changed both myself and my photography at the same time. I lived fully in the moment when i stood there and did my long exposures and i thought of nothing, but what it felt like to stand thinking of nothing. I partied hard during these times and i stressed a lot over a project that had 1 billion dollars riding on it, and had to be completed on time, and my life fell apart in other ways, but i kept on taking photographs as i tried to hold thing together.


i walked a lot and i saw many spectacular views and took many photos, but this one was one of my favorites from Geoje island and is of Gohyeon, where samsung shipyard is located. It wasn’t long after i took this photo, that life decided i was to move on and i lost my job in Jan 2015.

It was then i decide to travel to Chile and spent almost 2 months there, photographing santiago and Patagonia and places in between. These are probably some of the loneliest times of my life, but i wanted to go as far into a sparse landscape as my mental state could take, to find what it was i was scared off. I drove to the ends of chile and stood in complete isolation, mentally and physically and it scared me, but i loved it. I saw sights and colors in landscapes i could never have imagined.


after chile i had no option but to return to aberdeen and start my life again. I moved to aboyne in 2017 to be near the hills and mountains, without being too remote again and from there i explored everywhere from Glen tanar estate to the mountains and hills around braemar. I set myself a target to submit photos to the scottish landscape photographer of the year in 2017 and i had 3 images entered into the finals, with one image getting a consolation prize, by getting into their E-book. The following year was tough, as i set myself a goal of getting a higher prize in the 2018 competition and i walked hundreds of kilometers with a 15 kg backpack full of camera gear. Sometimes i walked 22 km and didn’t even take my camera out. There were days when i was so far into the hills and i was completely exhausted and thought id never make it back. Its surprising when you have a few mars bars, how much energy they give you. I pushed myself sometimes too hard.


I spent 90% of my time chasing my goal, determined to give the west coast photographers a run for their money. The winners always have huge mountain scenes under brilliant lighting, but we don’t get the same light on the east coast and i trudged up every path at Loch Muick and Lochnagar in search of new landscapes, somedays in two feet of snow, knowing i was the only one there. I finally entered the competition again in late 2018 and this time, my photograph was one of the commended landscape photos. Not a top prize, but a lot better than i did last year, so i was delighted. This year in 2019, i will push even harder to get one of the top prizes and there is nothing i can’t do, that those that scooped this years top awards did. My photography is as good, but i failed to understand what exactly is making the top positions, but now i know and i will win this year

My winning entry, was the scottish ponies that inhabit the hills around braemar and i chased these ponies through the fields to get the shots i did, but the one i loved the most, was when they followed me back to the road and i caught them coming over the bridge after me. These ponies are becoming famous now, as i see many others going in search of them to photograph them.

Where my photography goes now, has yet to be decided, because i don’t know where i am going next lol.